Eyes sounds excellent as well, with none of the shrillness that plagued the MFSL pressing. The vocals on Here Comes Sunshine are moved a bit back in the mix, and the overall presentation is arguably more coherent than the original. This is a smoother presentation than the original. Translucent coke-bottle green vinyl for The Story of the Grateful Dead box set. Some folks love it, but I don’t regret letting it go.Ģ020 Vinyl Me, Please Pressing - Chris Bellman remaster
I sold it on Discogs about a year ago for $60 but current pricing suggests I should have asked twice as much. The EQ choices don’t work for my ears the juiced-up high frequencies make the vocals sound shrill, sibilant, and very unnatural. This remaster was really difficult for me to listen to. The clarity and separation, stereo spaciousness, and overall “wow” factor make this original pressing sound more like a stereotypical audiophile pressing.Ģ011 Mobile Fidelity Pressing, Krieg Wunderlich remaster The sound is so realistic, so convincing, that it really seems like the instrument is being played in the room. It’s the acoustic guitar intro on Weather Report that really puts this pressing over the top. The sound is also thrilling on Eyes - Jerry’s guitar tone is beautiful, the drums have a dry but very palpable quality. Here Comes Sunshine has bouncy vibe, a plump, juicy low end, and a three-dimensional soundstage. 1973 Original Pressing - Grateful Dead Records
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